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Amazon.com Review
More than a decade after presidential candidate Bill Clinton floated the idea of ending "welfare as we know it," the changes to the system have become so accepted and entrenched that it is difficult to remember the heated controversy surrounding the issue of reform. Jason DeParle, a social policy reporter for The New York Times, forcefully brings the subject to life in American Dream, a moving and informed examination of the challenges, complexities, successes, and failures involved in fixing our nation's ailing welfare system. Tracing the lives of three women and their children as legislative changes are pushed through Washington and the state of Wisconsin, DeParle puts an extraordinarily human face on a subject that is too often prone to ideological oversimplification. As DeParle adeptly shows, their story "of adversity variously overcome, compounded, or merely endured ... embodies the story of welfare writ large."
The three compelling women at the heart of DeParle's narrative are vastly different temperamentally, yet they share the abstract qualities of strength and endurance, as well as extended family ties. DeParle paints their portraits with respect and sensitivity, and he provides a marvelous family history that reveals how "the story of welfare" is painfully "tangled in the story of race." Our glimpse at these difficult lives and the forces that profoundly shape them inspire an equal measure of hope and disappointment, and a large measure of outrage. As these remarkably resilient women struggle to raise their families, corruption is exposed in the very offices charged with implementing the newly adopted reforms. DeParle accepts that removing nine million women and children from the welfare rolls represents enormous progress. However, he simultaneously recognizes that we are dismally failing to confront a consequence of welfare reform: a new class of working poor. --Silvana Tropea
From Publishers Weekly
While campaigning for president in 1992, Bill Clinton vowed to "end welfare as we know it"; four years later, the much publicized slogan evolved into a law that sent nine million women and children off the rolls. New York Times reporter DeParle takes an eye-opening look at the controversial law through the lives of three black women affected by it, all part of the same extended family, and at the shapers of the policy. He moves back and forth between the women's tough Milwaukee neighborhoods and the strategy sessions and speeches of Clinton, former House Speaker Newt Gingrich, former Wisconsin Gov. Tommy Thompson and others. But the best parts of the book are its slices of life: DeParle accompanies the women on trips to the dentist, on visits to loved ones in jail, to job-training workshops and on travels to Mississippi. He offers few solutions for breaking the cycle of poverty and dependency in America, but DeParle's large-scale conclusion is that moving poor women into the workforce contributed to declines in crime, teen pregnancy and crack use.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
In the years after 1996, when President Clinton signed welfare-reform legislation, nine million women and children left the country's welfare rolls. Though the exodus was applauded in Washington, the story of exactly how these families were faring remained, in DeParle's words, a "national mystery." DeParle spent these years in Milwaukee, welfare reform's unofficial capital, studying the lives of three former welfare mothers: Jewell, Opal, and Angie. The narrative pans across generations of poverty—the women's grandparents sharecropped cotton—while, in the present, results vary. Opal tumbles into crack addiction, but the others struggle ahead, ultimately earning nine and ten dollars an hour as nursing assistants; Angie even joins a 401(k) plan. They are welfare-reform "successes," but their lives remain precarious. When there isn't enough money, lights are turned off and children go hungry. "Just treading water," Angie says, surveying her progress. "Just making it, that's all."
Copyright © 2005 The New Yorker
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