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Review
"... This text provides myriad rewards for careful readers willing to accompany Lyons on her sometimes painstaking, but always faithful, illuminating, and deeply evocative journey into a period and place of unexpected creativity." —American Anthropologist, June 2008
(American Anthropologist 2008-01-00)"Scholarly and well illustrated.... Recommended." —Library Journal
(Library Journal)"Indepedent scholar Lyons reconstructed more than 15 years of the history of artisan families who practiced in the pilgrimage town of Nathadwara since the 19th century.... The author's style is informal and easy to read.... A unique book for students of Indian studies. Recommended." —Choice
(Choice)"Delving into hard-to-find, hard-to-access, and hard-to-read records... Lyons has brought an enormous amount of new material to light from previously unknown sketchbooks, to her findings on women artists, to her extraordinary tracings of painter family history. She has made these artists too present to ignore, and many of our assumptions will have to make way to accommodate them." —caa.reviews
(caa.reviews)"I thoroughly recommend this beautifully produced book to anyone interested in the development and practise of Indian painting as well as the lives of the painters." —Anne-Marie Gaston, Carleton University, Ethnologies, Volume 29, Number 1-2, 2007
(Anne-Marie Gaston, Carleton University Ethnologies 2007-01-00)"Though this book is a delight to look through, and the text pleasantly light and welcoming to both scholar and general reader, there are important issues working under the surface of The Artists of Nathadwara: the face-off between folk art and traditional high culture; the presence in the artists' self-image of an imposed European aesthetic; artistic integrity and individualism within a system of religious patronage. Lyons does not so much evade these issues as nod gracefully to acknowledge them, then return to her exposition of the artists and the objects they produced." —Diane Johnson, Western Washington University, JRNL AMERICAN ORIENTAL SOCIETY ANE, Oct.-Dec. 2007
(Diane Johnson, Western Washington University JRNL AMERICAN ORIENTAL SOCIETY ANE 2007-01-00)"The Artists of Nathadwara is a rich and beautifully rendered consideration of the work and lives of artists inhabiting the pilgrimage center of Nathadwara (Rajasthan, India) in the late 19th and early 20th centuries." —Jeffrey G. Snodgrass, Colorado State University, AMERICAN ANTHROPOLOGIST, Vol. 110.2 June 2008
(Jeffrey G. Snodgrass, Colorado State University AMERICAN ANTHROPOLOGIST 2008-01-00)"Tryna Lyons’s The Artists of Nathadwara vividly renders a community of traditional painters. It brings to life a profession that the field of South Asian art studies has tended to sidestep in its focus on objects... By interviewing living artists from Nathadwara and studying late nineteenth- and early twentieth-century Nathadwara painters whose notebooks exist and whose descendents remember them, Lyons finally turns the field of Indian painting studies toward the artists’ perspectives, with the result that we begin to see the painter’s profession in a very different light." —caa.reviews
(caa.reviews) From the Publisher
A richly illustrated look at the lives and careers of North Indian artists that combines ethnographic and art historical methods, and calls into question Orientalist assumptions about tradition and the anonymity of South Asian artisans.The religious pilgrimage center of Nathadwara is home to a large community of traditional artists, who retain sketchbooks and other materials handed down in their families for generations.
About the Author
Tryna Lyons has taught at the University of Washington, the University of Vermont, and the University of California, Berkeley. She lives in Seattle.
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